They're all evocative of entirely different concepts. Disintegration and Aphex Twin and Windy & Carl all have completely different tones and purposes. Once upon a time, there was William Basinski, an avant-garde musician with a classical education, who could lead an orchestra and was not afraid of an experimental approach to music. The music isn’t just decaying - it does, it dies - but the entire life and death of each of these unique melodies was recorded to another medium for eternity.” Disintegration Loops is a modern ambient classic and most anyone who tries to tear it down over one album or another is, imo, looking at music all wrong. Lush, yet simple and deeply emotive without trying to. William Basinski and Temporary Residence from publication: Intolerable. More than conceptually brilliant, The Disintegration Loops are an auditory voyage unlike anything else. accident involving crumbling magnetic tapes of Muzak led William Basinski to create his watershed ambient work The Disintegration Loops, from 2001. The Disintegration Loops A serendipitous accident involving crumbling magnetic tapes of Muzak led William Basinski to create his watershed ambient work The Disintegration Loops, from 2001.
#The disintegration loops download
But the thing that moved me so profoundly in my studio right after this music happened was the redemptive quality. Download scientific diagram Covers from the four The Disintegration Loops CDs. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators. “I felt, with my experience being in New York at that time, and what I went through and what I saw my friends go through, I wanted to create an elegy,” he told NPR. Intrigued, Basinski let the loops continue to cycle: the sounds grew more and more indistinct with each pass as the tape literally fell apart.Īs it happened, the 9/11 attacks occurred on the morning he finished the project, and the devastation he videotaped from his rooftop seemed to sync with the new recordings. In 2001 avant-garde composer William Basinski was trying to transfer some old tape loops to digital format, but he found that the original recordings had deteriorated so badly that the ferrite simply fell off the plastic backing as it passed the tape head.
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